Even though I have read in books about how to obtain the color and quality, the equipment needed to carry on such work was not to be found in my country (the electric kiln needed to obtain that temperature is not available). As a result, I decided to use the clamp firing method.
It wasn’t easy, but with determination and perseverance I was able to meet the quality and color that the project demanded. I adapted the method of obtaining much carbon in the firing atmosphere with a specific size of firewood to raise the temperature. This obtains both an oxidation and reduction atmosphere within the clamp kiln.
I must say this has really boosted my confidence and I am proud to be an up-and-coming ceramist. I am also proud to inform you that, after the firing, I have been able to explain more to my colleagues about how to direct heat in the clamp kiln.
Editor’s note: To share ceramic manufacturing stories from around the world, send an e-mail to Susan Sutton at suttons@bnpmedia.com.