- THE MAGAZINE
- Advertiser Index
- Raw & Manufactured Materials Overview
- Classifieds & Services Marketplace
- Product & Literature Showcases
- List Rental
- Market Trends
- Material Properties Charts
- Custom Content & Marketing Services
- CI Top 10 Advanced Ceramic Manufacturers
- Virtual Supplier Brochures
Generally refers to glass made before the Venetian era of glass making.
To cool glass by reintroducing a completed object into an auxiliary part of the glass furnace and slowly cooling the object so that any strain created in the glass during the forming process may be released. The critical area for cooling is 800-1000°F.
A trade term for glass that is more than 25 years old.
The shaping of glass by blowing air through a hollow rod into the center of a molten glass gather (see Gather).
Any string or rod of glass.
A glass-working studio that does not have furnace or glory hole (see Hot Shop).
Grinding stones are worked wet to cut designs onto glass.
Glass chunks may be carved, ground, chiseled or otherwise shaped like other sculpture materials.
Opaque glass colors melted onto glass surface. The colors are actually glass powders.
Design cut or scratched on glass with diamond point, stone, metal or copper wheel. Usually more complex and flexible than cut glass work (see Cut Glass).
Glass may be etched by hydrofluoric acid (HFl), which likes silica. Dangerous.
The reintroduction of an object into the furnace in order to smooth an irregularity. Also a technique used to retain a shiny surface to glass after it has been ground on a grinder or sandblasted.
Very thin layer of colored glass that is fired or vaporized on base glass.
A ball of molten glass taken from a pot or furnace on the end of a hollow blow rod.
Metals, such as gold, fired onto glass.
A high-temperature chamber used for reshaping glass either on a punty rod or blow pipe (see Blow Pipe, Punty Rod).
A glass-working studio containing a furnace and glory hole; especially a glass-blowing studio.
Joining two or more blown sections while hot.
Thin laminated flakes of glass showing decomposition with age. Also artificial, as done by Tiffany.
Glass whose surface is chemically treated to have a rainbow or iridescent appearance.
Insulated chamber for heating and cooling glass or ceramics.
Glass that is altered, fused, shaped or textured by the heat of a kiln.
Threads of white or colored glass within clear glass, sometimes lace-like in pattern.
Any glass-working technique done with the direct flame of a torch; work with pre-formed glass rods and tubes.
Stained glass window held in place by lead cames.
Lost Wax Casting
The object is modeled in wax and cased in a ceramic or plaster mold. The mold is heated and the wax flows out; powdered or molten glass is poured into the mold.
Italian term meaning "thousand flowers," used to describe mosaic glass objects.
Vessels or objects are built up of preformed elements of glass placed around or in a mold and slowly heated until the glasses fuse together.
Blowing a bubble with color on the inside, the bottom is attached to a solid core and then the bubble is turned inside out, leaving a thin color "flash" on the outside.
A solid metal rod used to transfer and hold glass when working with a glory hole (see Glory Hole).
High-pressure air mixed with sand that is applied to the surface of glass to carve texture.
A technique used to form glass using a mold, heat and gravity.
Glass breakage caused by rapid or uneven heating or cooling.
Reprinted with permission from The Collector's Guide, www.collectorsguide.com.