• Sign In
  • Create Account
  • Sign Out
  • My Account
  • Home
  • Magazine
    • Current Issue
    • Digital Edition
    • CIAdvanced Digital Edition
    • Archives
  • News
  • New Products
  • Topics
    • Advanced Ceramics
    • Refractories
    • Glass
    • Whitewares
    • Brick and Structural Clay
    • Raw and Processed Materials
    • Firing and Drying
    • Batching and Materials Handling
    • Forming and Finishing
    • Instrumentation & Lab Equipment
    • Decorating
  • Columns
    • IP in Depth
    • Glass Works
    • Ceramic Decorating
  • More
    • CIAdvanced Microsite
    • CI Top 12
    • Raw & Manufactured Materials Overview
    • eNewsletters
    • Classifieds & Services Marketplace
    • Virtual Supplier Brochures
    • Market Trends
    • Blogs
    • Material Properties Charts
    • CI Store
  • Multimedia
    • Videos
    • Podcasts
    • Photo Galleries
    • Mobile App
  • Events
    • Calendar
    • Ceramics Expo 2016
  • Directories
    • Data Book & Buyers' Guide
    • Ceramic Components Directory
    • Materials Handbook
    • Equipment Digest
    • R&D Lab Equipment & Instrumentation
    • Services Directory
    • Take a Tour
  • Contact
  • Advertise
  • Subscribe
    • Print & Digital Edition Subscriptions
    • eNewsletters
    • Online Registration
    • Customer Service
Home » POTTERY PRODUCTION PRACTICES: Controlled Firings: Kiln Design Matters

POTTERY PRODUCTION PRACTICES: Controlled Firings: Kiln Design Matters

February 2, 2006
Jerry Wagner
Reprints
No Comments
Part 1: Refractories

Every aspect of a kiln's design is a tool that can be used in its operation and control. Whether you decide to build or buy your next gas-fired pottery kiln, keep in mind that features such as the insulation and kiln furniture, burner orientation, exhaust system, thermocouple location and door design will significantly affect the kiln's firing performance and efficiency.

Every aspect of a kiln's design is a tool that can be used in its operation and control. Whether you decide to build or buy your next gas-fired pottery kiln, keep in mind that features such as the insulation and kiln furniture, burner orientation, exhaust system, thermocouple location and door design will significantly affect the kiln's firing performance and efficiency.

Insulating refractories play an important role in a kiln's operation. Lighter weight refractories will absorb less heat than heavier refractories, which can save fuel and shorten the amount of time required to fire the kiln. They can also reduce the amount of time required for cooling.

The ceramic industry standard for a fiber-lined kiln is to use an 8- to 10-lb density fiber for the side walls and a 10- to 12-lb. density fiber for the arch. Photo courtesy of Jerry Wagner.

Refractory Types

Commonly used insulation includes hard refractories, insulating fire brick and ceramic fiber. Hard refractories typically consist of standard and super-duty hard brick, as well as castables. These refractories are very dense and have a significant heat storage capacity. They are often used in salt and soda kilns, as well as wood-, coal- or oil-fired kilns in which the discharge velocity of the burner can cause refractory erosion.

Insulating fire brick (IFB) are available in various temperature ratings, but 2300 or 2600°F IFB is sufficient for most pottery kilns. By definition, IFB have a better insulating capacity than standard or super-duty fire brick and can therefore reduce fuel consumption.

Ceramic fiber is an excellent insulator and is the least expensive refractory lining to heat. It can be specified by temperature and/or composition. For example, Kaowool(r) blanket is an alumina/silica fiber with a

continuous use limit of 2000°F and a classification temperature rating of 2400°F.

Cerablanket(r) is an alumina/silica/zirconia fiber with a continuous use limit of 2400°F and a classification temperature rating of 2600°F.*

Ceramic fiber can be purchased by the roll or in a fabricated modular form with internal anchoring systems, and is specified by the density of the fiber (6, 8 or 10 lbs). Keep in mind that the weight of a fiber lining is based on a 12 x 12 x 12-in. module. For example, a 12 x 12 x 12-in. fiber module of an 8-lb density fiber will typically weigh 8 lbs, while a 12 x 12 x 8-in. module of equal density will weigh proportionally less. Most fiber manufacturers can custom make a module of any dimension, but the standard module is 12 in. wide x 12 in. long at a variable thickness.

The industry standard for a fiber-lined kiln is to use an 8- to 10-lb density fiber for the side walls and a 10- to 12-lb. density fiber for the arch. Industrial kiln building practices typically allow for 8 in. of fiber lining on the walls and ceiling of a kiln firing to cone 10.

Some ceramic fiber insulation has been linked to the inhalation of free silica, which is believed to pose a health risk, so it's important to request material safety data sheets (MSDSs) and follow the supplier's recommended guidelines when working with this type of insulation.

Temperature Limitations

It should be noted that industrial construction practices provide for all refractories to be de-rated by 150°F from their maximum temperature rating. For instance, a K-26 IFB (2600°F material) should be used in a kiln that operates at a peak temperature of less than 2450¡F. Similarly, a K-23 IFB (2300¡F material) should be used in a kiln with a peak operating temperature of less than 2150¡F.

When refractories are used at or near their rated limits, their effectiveness as an insulator begins to diminish, and the material can experience premature failure. Some common symptoms of refractory wear include:
  • Excessive shrinkage
  • Slumping or softening of the refractory material
  • Bloating or expansion of the refractory material
  • The development of a glassy hot face surface
  • Excessive grain growth, which leads to hot face surface compression and can cause spalling


Don't Forget the Furniture

When designing your kiln, be sure to consider the weight of all kiln refractories (brick/fiber/castables) and all setting refractories (posts/shelves), along with the maximum potential weight of unfired pottery and the volume of air required to be heated. (In industry, air is measured in pounds; 1 lb of air is equal to 1 lb of ware.) Once you have defined the total mass to be heated, you can then determine the total amount of energy (in BTUs) required to achieve the peak temperature, as well as the volume of air required to cool the kiln.

Editor's note: Part 2 of this article, which focuses on burners, exhaust systems, thermocouple location and door design, will be published in the Fall 2006 (September) edition of Pottery Production Practices. To find or purchase books on kiln design and construction, click on "Books" in the blue menu bar.



For Further Reading

Olson, Frederick L., The Kiln Book, 3rd ed., Krause Publications, 2001.

Remmey, Bickley G., Firing Ceramics, Vol. 2, World Scientific Pub Co Inc., 1997.

Rhodes, Daniel, Kilns: Design, Construction and Operation, 2nd ed., Chilton Book Co., 1981.


Links

  • gwagner@danserinc.com
  • wagnerpottery@atlanticbb.net

Did you enjoy this article? Click here to subscribe to Ceramic Industry Magazine.

Recent Articles by Jerry Wagner

POTTERY PRODUCTION PRACTICES: Tips & Techniques: Controlled Firings: Kiln Design Matters, Part 2: Combustion and Control

Jerry Wagner received his master's of fine arts degree in ceramics from Edinboro University in 1982 and has worked in the industrial ceramics field for Swindell Dressler International and SBL Kiln Services Inc., and in the area of glass annealing for E.W. Bowman Inc. In 2001, he started Wagner Pottery, a wholesale pottery business. He recently joined Danser Inc., where he will continue to provide assistance and equipment to industrial manufacturers and pottery producers. Wagner can be reached at (304) 679-3666 or by e-mail at gwagner@danserinc.com or wagnerpottery@atlanticbb.net.

Related Articles

POTTERY PRODUCTION PRACTICES: Tips & Techniques: Controlled Firings: Kiln Design Matters, Part 2: Combustion and Control

POTTERY PRODUCTION PRACTICES: How to Choose an Electric Kiln

POTTERY PRODUCTION PRACTICES: Practical Pottery

POTTERY PRODUCTION PRACTICES: Pottery Myths

Related Products

Freeman-McFarlin Pottery: 1951-1980

Alternative American Ceramics, 1870-1955: The Other American Art Pottery

Catalina Island Pottery and Tile 1927-1937

Wood-Fired Ceramics: 100 Contemporary Artists

Related Events

Houstex 2017

CERAMICS CHINA 2017

Eastec 2017

Westec 2017

Related Directories

Axner Pottery Supply

Skutt Kilns

L & L Kiln Mfg. Inc.

Paragon Industries LP

You must login or register in order to post a comment.

Report Abusive Comment

Subscribe For Free!
  • Print & Digital Edition Subscriptions
  • eNewsletters
  • Online Registration
  • Customer Service

More Videos

CI directories

Products

Handbook of Advanced Ceramics Machining

Handbook of Advanced Ceramics Machining

Ceramics, with their unique properties and diverse applications, hold the potential to revolutionize many industries, including automotive and semiconductors.

See More Products

CI raw and manufactured materials

Ceramic Industry Magazine

CI October 2016 Cover

2016 October

Features on topics ranging from industrial minerals and kiln safety to technical ceramics and election compliance - check out our October issue today!
View More Subscribe
  • Resources
    • Advertiser Index
    • List Rental
    • Custom Content & Marketing Services
    • Manufacturing Group
    • Partners
    • Want More?
    • Connect

Copyright ©2016. All Rights Reserved BNP Media.

Design, CMS, Hosting & Web Development :: ePublishing